Nut graf: I already know I’m not as good as the masters, but does it really matter?
Of course I fall into the trap of comparing myself to others. It’s an occupational disease that any creator in good standing can tell you about.
There’s always going to be someone who can kick my tail. I get that. I’ll never be as good as John Steinbeck or Miles Davis. It’s just not in the cards even with those extra aces I keep in my shirt pocket.
But someone called this to my attention. Self-comparison isn’t a fair fight anyway. I can compare myself to the other writer or musician across town, but I haven’t surfed his dumpster lately.
Any creator who enjoys even a bit of success is going to generate a lot of hot garbage. Might even have a commercial account with the local waste haulers for all I know.
Let’s say you went back in time and you’re in Havana or Key West or wherever Ernest Hemingway was working. You see his trash can and, looking both ways — ratting through someone’s garbage late at night looks pretty suspicious — and you go through it.
What would you find?
Besides the whiskey bottles and cigarette butts you’ll find pages and pages of handwritten or typed work. This is a real find, right? You read through them and realize you could do better than that. Maybe the whiskey bottles are a clue here.
What you see on the open market is the best of Hemingway’s best. Many drafts. Much fine tuning. Polished beyond polished. Even his worst published work is awe-inspiring. But the stuff in his dumpster? Not so much.
Kind of changes the equation, huh?
That’s the fallacy of self-comparison. I only see my rival’s or virtual mentor’s best work.
With mine, I see all of it. The good, the bad, the butt-ugly.
For my own reasons I like to work the old-school way. On paper for the first drafts. I keep them in a 12″x12″ box, and not quite halfway through 2015 I filled it halfway up. That’s a lot o’trash.
My current work took up more than a ream of paper, and it’s all going to get thrown out anyway. Or saved in that box as a visual reminder of how much written BS I can truly generate.
All of it is fixable. Each time I rewrite the quality improves by a couple of degrees. As far as the first drafts go, though, they’re totally experimental and I don’t have to admit to doing them.
The truth is that I know I’m not in the same league as these guys.
What’s equally true is that it doesn’t matter. What matters is doing the things that fall within my own strengths, and knowing the great ones are every bit as capable of turning out terrible stuff as I am.